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Chris

Hi! I've got a new plugin you can have! These plugins come in Mac AU, and Mac, Windows and Linux VST. They are state of the art sound, have no DRM, and have totally minimal generic interface so you focus on your sounds.

ToTape4

ToTape4Demo is a tape emulation AU universal binary plugin, and the next-generation Airwindows tape emulation. This one can go on the 2-buss! It operates by isolating all the factors in the sound that don’t sound like tape, refining them, and then taking them out of the source material with a single subtract—the input sound is otherwise untouched and unprocessed. This produces a tape emulation of resolution so high it can be used in mastering—or on the 2-buss. It now includes flutter, which turns out to be key to some of the spatial qualities tape offers—and crosstalk modeling for a little more texture! For this reason, ToTape4 now runs one sample of latency—it’s most accurate with flutter at 0.5, will shift a bit if you alter the flutter setting.

This is not an elaborate faceplate made to resemble a tape machine. There are no capstans or twirling reels, nor is it pretending to simulate a specific brand name. This is the Airwindows take on the matter, which means a plugin streamlined to deliver an unmatchably high-quality sound with low overhead and simple controls that tweak lots of stuff under the hood to accomplish simple, useful, obvious things without wasting mixing time.

ToTape4 does not work like old school tape emulations. You can’t use it to smear and roll off highs because real tape doesn’t necessarily do that, but there’s an Airwindows tape emulation that’s designed to be more of a bandpass, and that is Iron Oxide. That one lets you trap in the highs and lows, and barks more if you slam it, so if you’re looking for tape effects as more of a radical sound processing tool, try Iron Oxide. ToTape4 is about being totally, totally realistic.

ToTape4 runs one sample of latency.

ToTape4 is $50.

Iron Oxide 4

IronOxide4Demo is a tape emulation AU universal binary plugin. It’s old school tape emulation. Unlike ToTape, Iron Oxide 4 doesn’t present a realistic tape model with wide-range sound—instead, it traps in the sound in the lows and highs and lets you make it bark. This is the one for putting on isolated tracks and cranking out, hitting hard.

Also, you can blur out the tone with flutter which will help get away from the ‘digital’ sound too—and Iron Oxide 4 features a new control, Inv/Dry/Wet. How this works is, you can narrow down the tone to a focussed area that is saturated, and then mix this with dry signal as you might in Reaper. But it doesn’t stop there: you can also add the Iron Oxide tone inverted, subtracting it!

What you get when you cancel out a saturated bandlimited tone is this: you’re producing a mid cut, but the mid cut stops happening when the Iron Oxide section saturates. As a result, your tone cut lets through only the punch and impact, and pulls back the mud. This makes Iron Oxide 4 a really flexible, easily approachable tone shaper. If you’re trying to heighten sound density it’s a great way to intensify a frequency range, and if you want to amp up the impact it can do that with the Inverted range on inv/dry/wet. You can also dial in the area you don’t want on full-wet, then subtract it.

Simulates tape speeds of 1.75 ips to 150 ips (!) and you can give a separate tape speed for lows and highs. This is really designed to act as a bandpass in a way more realistic tape sims can never do, it serves an entirely different role in a mix. I’ve never recommended use of Iron Oxide on the 2-buss or a final mix for it’s too colored and vivid- use ToTape for that.

Iron Oxide is $50.

Podcast

PodcastDemo  is a pair of AU universal binary plugins for radio-type broadcast processing, simplified to the point of being drop-in one-stop fixes for your podcasting or video production needs. You pick between Podcast and Podcast Deluxe, throw it on your voiceover track (recorded with good headroom) and enjoy managed voice levels without a lot of zooming background noise.

It works by tying its release speed to waveform voltage level. Given silence, Podcast will just sit there with its level locked off. It only adjusts when there’s something to adjust with. This also helps it hang on to a smoother voice tonality, as it’s not manipulating levels during delicate sounds or zero crossings. Podcast has no latency, so you can try it out on live performances, and it doesn’t use excessive ‘radio broadcast’ techniques like phase rotation, so you can try it on music mixes and lead vocal tracks: at high gains it should produce a really aggressively compressed sound.

Podcast Deluxe is the same thing, except with built-in phase rotation for more of an FM radio announcer type sound. It’ll apply a particular sort of gloss that might better suit some content such as voice-overs, and may lend itself to processing background harmony vocals. A certain amount of immediacy is lost from the phase rotation (done in several stages at a carefully calculated ratio for optimum gloss) but a whole other texture is gained, and you get it free as part of the package.
Whether it’s graceful level balancing with the ‘extra boost’ totally off, strong clear signal with the default setting of 0.1, or serious aggressive loudness at higher settings, Podcast (and Podcast Deluxe) could be your go-to voice processor!

Podcast is $50.

Logical2

Logical2Demo was an intermediate stage of Logical, transitioning between the original Logical with its convolution-based SSL color and Logical3 with its full set of controls made to work like familiar buss comps.

Logical2 had none of that, though it sounded good. It had only two controls, an input and output gain. It was about trying to make the plugin simpler and easier to approach, but I ended up doing that by more closely modeling the behavior of existing compressors.

If this version is the version of Logical you want, what you do is buy the current version and then email me asking for a copy of the older version. I’ll send it to you, as if you’d bought it back in 2013 when it came out.

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If you’re pledging the equivalent of three or more plugins per year, I’ll happily link you on the sidebar, including a link to your music or project! Message me to ask.