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Chris

Hi! I've got a new plugin you can have! These plugins come in Mac AU, and Mac, Windows and Linux VST. They are state of the art sound, have no DRM, and have totally minimal generic interface so you focus on your sounds.

Channel3

Channel3 is the classic freebie analogifying plugin, Channel, brought up to date again as the antialiasing techniques evolved. It’s been sort of my test bed for the ‘house Airwindows sound’, often with little tweaks and experiments.

The selector switch bug is still fixed, so you can play with the Neve and API settings! The other change between Channel2 and Channel3 is this: instead of defaulting to a gain boost going into the Channel saturation effect, Channel3 links that to the saturation slider. So, at low settings the curve is even more gentle, halfway it’s pretty much the same as the other two versions, and at full crank there’s more boost on tap than in any previous version. So, Channel3 is the version which has the ‘highest gain’, if that matters: but it’s the same ‘circuit’ as before, just letting more signal in.

Channel3 works in three ways. First, there’s a very faint touch of highpassing, reining in the extremes of digital bass to more of what’s practical in analog circuits. This was worked out by measuring impulses from real hardware, but the application is very simple. Then, there’s a slew clipper that restricts the slew rate of the plugin. Lastly, there’s the same type of saturation present in Density, but applied in the simplest way, and then blended with the input signal as dry/wet—which means the curve becomes gentler and gentler as you saturate less. It’s this super-gentle saturation curve that people loved in Channel.

Drums

While I was coding plugins in 2011, I attempted something ahead of its time. Specifically, it was ahead of the time that I SHOULD have tried it. It was a set of drumkits that I’d sampled.

This was miked with Studio Projects SDCs which I’d modded, through API mic pres, into the guts of an old 20-bit ADAT which I had rewired so intensely that the API’s transformer outputs ran through 1/4″ TRS jacks, and heavy(ish) point to point wire, directly to the balanced inputs of the converter chips themselves. Considering how small this circuitry was, it was an amazing feat of hacky ingenuity to wire the ADAT this way, and it let me do multi-miked drum kit recording.

It also picked up a bit of digital noise from inside the ADAT, which is a problem I didn’t fully appreciate at the time. (I’m using an old Apogee Rosetta now, not hacking apart ADATs to try and make them tolerable…)

The kick mic was various things including an Audix D6. The drums themselves were everything from Gretsch to Ludwig Acrolite to Slingerland, typically not that fancy. Cymbals mostly Zildjian.

BrassRider

BrassRider is by request of a friend of mine, a fellow called Slipperman. That’s not to say that it MET with his approval, mind you, but the idea for this freebie was very much his.

He said to call it ‘Andy’ and everyone would know what that meant. I’m not so sure, so I called it BrassRider in hopes I could get a bit closer to the mark.

Put it on overheads, and it will try to ride up cymbal crashes, while ignoring drum hits.

It’s a stereo plugin, on the grounds that overheads are often recorded with a stereo pair. It uses techniques from my DeEsser, and it does its level best to grab on to cymbal crashes and ride those, without being triggered by drum hits even if those are louder than the cymbals. I’m not at all sure it’s better than just grabbing the fader, but when Slippy asks, Slippy gets ;) And so do you, as it’s free for the taking, as is.

(This technique is well known in the work of Andy Sneap, hence the suggested name of ‘Andy’)

Multiband Distortion

MultibandDistortion is just what you’d think- instead of just highpassing the signal, it splits it, and distorts each band separately, and recombines them in a strange matrix with a stability control. Separate hardness controls on each band, very flexible.

This is one of those plugins where I don’t think there’s really a correct way to use it. There are many knobs. Fool with them. It’s very much not a ‘dial in tonal purity’ plugin, it’s a ‘wreck stuff’ plugin so experiment and see what you can get out of it.

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If you’re pledging the equivalent of three or more plugins per year, I’ll happily link you on the sidebar, including a link to your music or project! Message me to ask.