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Chris

Hi! I've got a new plugin you can have! These plugins come in Mac AU, and Mac, Windows and Linux VST. They are state of the art sound, have no DRM, and have totally minimal generic interface so you focus on your sounds.

TubeSag

TubeSag originated a kind of processing that ended up in Desk, in more manageable form. What you get is a Depth control and two Speed controls, that work in parallel.

With these you dial in areas of sag. Sag works like this: it’s like power supply sag (which is what it got called in Desk). Loud sound going through the plugin for an extended period uses up ‘power supply energy’ and that attenuates the output. It’s faster than a compressor and doesn’t really have attack or release speeds, it’s just tied to the overall output.

Most applications of this will make output sound kind of grungy and degraded. Lower speeds make it seem on the attacky side, higher speeds accentuate treble edginess.

If you’d like a copy of this plugin, buy the current version of Desk and email me: I’ll send you one (but Desk does already do this, just not at two frequencies at once)

Voice Of The Starship

Voice Of The Starship is a plugin designed to produce environment noise—not just natural, but unnatural environments. Namely, spaceship rumble, like what you heard in episodes of Star Trek. It defaulted to a seashore-like effect, with random surges that fall away again. In stereo, these ‘waves’ hit at different times on left and right.

If you’d like this plugin, buy its successor Noise, and ask me for it by email. I’ll send it.

Pop

PopDemo is a universal binary Audio Unit compressor plugin designed to create extraordinary pop vocals.

Inspired by radio-friendly Genesis, Pop puts every detail in your lap- the reason it exists is, I was listening to ‘Mama’ and other songs off the eponymous Genesis album, and couldn’t believe how overwhelming Hugh Padgham had Phil Collins’ vocal sounding. It reached out and grabbed and defined every detail so aggressively- I needed to make a special compressor that could deliver a sound like that, because nothing I had was designed for such aggressive behavior.

It’s got just an Intensity control and a Dry/Wet control, and does indeed get mighty intense. That’s its job, after all.

Pop is $50.

Clip

Clip is antialiased, Airwindows-ized hard safety clipping, nothing more. This is basically the bare-bones freebie loudenator: the simplest, cleanest, loudest of them all. It’s got a touch of the ADClip mojo helping it keep treble from glaring under stress, but none of the fancy bypassing or 3DClip elements that ADClip adopted.

This is for you if you need to use Airwindows stuff and you’re broke. Stick this on the end of your mix buss, with DitherTo after it, and mix good and loud into it. It will stop overs, that’s what it’s for, and the treble won’t be too glare-y compared to straight digital clipping. None of the fancy Airwindows stuff can really go louder than this, they just sound better while trying. Sell the resulting music to record execs or something, and save up to buy the real Airwindows plugs. (but this is still real, it’s just real crude ;) )

Newer Posts
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Airwindows

handsewn bespoke digital audio

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Dave Robertson and the Kiss List

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ivosight.com – courtesy Johnny Wishoff

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Super Synthesis Eurorack Modules

Very Rich Bandcamp

If you’re pledging the equivalent of three or more plugins per year, I’ll happily link you on the sidebar, including a link to your music or project! Message me to ask.