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Chris

Hi! I've got a new plugin you can have! These plugins come in Mac AU, and Mac, Windows and Linux VST. They are state of the art sound, have no DRM, and have totally minimal generic interface so you focus on your sounds.

DeRez

DeRez is straight-up Airwindows bitcrushing and sample rate chopping!

It differs from, say, BitGlitter in that it’s not making any attempt to simulate an ‘analog low-bit hardware unit’. No, what DeRez does is hash up the sound with sheer, nasty digital bitcrush ITB. There’s just a touch of edge-softening to the frequency de-rez.

But what makes it an Airwindows product (well, freebie) is this: it’s like an analog bitcrush. Both the frequency and the bit depth sliders are continuous, NOT stepped. Yes, it can do fractional bit depths, yes that’s not actually possible as a format (you’d have to define one of the smaller bits as a smaller size than the others).

Plus, the controls are fluid (smoothed). If you make moves with them, the result won’t sound ‘stepped’ and because they’re continuous, that fluidity will be noticeable.

Hope you like this odd creation! It’s really in a sort of gray area between analog and digital, but it sounds very digital: just not in an ITB sort of way. Hard to explain. It’s free, just play with it, it doesn’t sound like traditional bitcrushers.

Sable

Sable is like a really early, failed CStrip. It’s got a lowpass and highpass like CStrip, and two peaks. The thing is, these peaks are very narrow and only work in the midrange, and the lowpass and highpass don’t sound as good as CStrip’s.

So, Sable isn’t really a very good general purpose EQ, much less a mastering or mixbuss EQ. It uses the same resonance techniques as ResEQ (a custom convolved wave based on analog filters, not digital filters), so it does have some qualities to recommend it.

Use Sable if you’d like to use the peaks to liven up something in the midrange with a big colorful narrow boost, while also radically highpassing or lowpassing the tone. But bear in mind, Sable kinda overprocesses, so its tone is not going to be as rich as the better Airwindows designs.

SynKick

SynKick is actually two plugins, SynKick and SkinKick. Here’s how they work.

They’re synthetic kickdrums, either tuned to a set of related intervals (SynKick) or tuned to the harmonics of a drum head (SkinKick). Put them on a kick track or anything that can trigger them, and they will fire the sine-based bassbombs when triggered. Not only that, each sine component is triggered based on its phase, so every trigger will be different tonally.

That’s the good news, now here’s why they’re freebies.

The sines are lovely and all, and the idea of distinctive sounds for each trigger is cool… but doing it that way rather than just triggering a sample is too inconsistent. The kicks aren’t quite steady enough, definitely not punchy enough. You can use them to reinforce what’s already on a kick track, and each plugin has a dry slider for that purpose. You can use them as an Airwindows programmable bassbomb. But please, don’t try to use them as the primary kick in a track, because unfortunately they are just not powerful enough. They are basically different variations on bassbombs.

Wah

Wah is the definitive Airwindows style plugin. It’s a wah pedal. Really—try it! It’s a one-slider freebie that works and acts like a wah pedal. I used this plugin to test out some ideas for smoothing control input, so working the frequency will give a more fluid effect than typical plugins.

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If you’re pledging the equivalent of three or more plugins per year, I’ll happily link you on the sidebar, including a link to your music or project! Message me to ask.