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Chris

Hi! I've got a new plugin you can have! These plugins come in Mac AU, and Mac, Windows and Linux VST. They are state of the art sound, have no DRM, and have totally minimal generic interface so you focus on your sounds.

Focus

TL;DW: Focus brings out clarity by distorting. Aggressive, subtle, flexible.

Focus.zip(377k)

Here’s a real ‘modern day Airwindows’ plugin for you!

Focus might not be the only plugin like this I make. I’d planned to make a ‘multi-distortion kit’ based on how Density and Drive do things, and I can still do that. BUT, check this out.

What if you took UnBox, with its aliasing-resistant distortion, and revised it around a band pass? Not so much an EQ thing, more a ‘Fletcher Munson Loudness Curve’ thing, where you could zero in on just that most sensitive area, and add distortion to just that? And use the UnBox tech so you’d still have undistorted clear super-lows and highs, as much as you wanted? And set an output level so that if you DID end up driving the mids real hard, you could dial it back so that you got your focussing effect but without apparent mids boost? Or mids boost if you like, whichever. And a dry/wet on the end for added subtlety and flexibility. And then, how about if you could pick between Density, Drive, Spiral, Mojo and Dyno distortion algorithms?

Here’s Focus. If you keep the Focus control real low, it’ll act like a broad-based overdrive, five different ways. Kill the Output level control, and you’ll hear what’s left over from the UnBox tech. Start to bring up Focus to about halfway, and you will rapidly start narrowing the distortion band and letting through lots more lows and highs, while also (if you turn Output back up) tightening and purifying what you distort in the mids. Focus even more, and you’ll get to where it’s an ultra-focussed mid laser that you can distort, that’ll cut through anything. if you want to start tuning it, dial Focus back: this is not about that, it’s exactly targetting the Fletcher-Munson loudness curves, think of it in terms of focussing the midrange and making it more intense. At low Focus settings, tuning it would be almost meaningless.

This is ‘dial an ultimate distortion, ITB’. Even more than the ‘swiss army knife’ one I’ll likely still make later. This becomes the recommended one. It replaces Density, Drive, all versions of Spiral, etc… because its principle of operation gives you essential Airwindows distortions, using UnBox tech to resist aliasing and allow for clean bass, and because the way it’s set up you can immediately go to whatever you’re trying to achieve. Big roaring fuzzy? Density with very low Focus, or possibly Mojo. Gritty? Drive. Cleaner overdrive? Spiral. Need to clean things up but still have that pungent, fierce energy from an amazing distortion? Start increasing Focus, carefully. Trying to do an insanely focussed searing-hot distortion with high Focus but things are too saturated? Reach for Dyno and its distinctive overtones. Pretty much anything you want, in one plugin, but with very approachable controls plus you can do things like kill Output Level to quickly check how much clean audio is getting through in the highs and lows.

Don’t think of it like an EQ, think of it like an extension of your ears. Whether it’s on tracks, submixes, or the 2-buss, Focus can locate anything accurately in your listeners’ attention, because we all have the same sensitivities and loudness curves to our hearing (most likely). Use with caution (unless you don’t want to!) and enjoy a real power tool for mix clarity, with Focus.

This was a good work day. If you’d like to see me have lots more you can jump on my Patreon. From now on (and especially going into 2020), you get an hour of livestreaming for each $1000 of the total Patreon… which means effective immediately I’m going to stream an hour and 35 minutes. Every week I’ll check, so the Q&A will get longer, the music stream too, and I’m transitioning from the patrons-only Evergreens podcast to an Evergreens podcast ABOUT patrons’ music where I’ll do the same thing, but I’ll be analyzing and talking about YOUR music… for an hour and 35 minutes. Or more, if the Patreon grows. ‘Cos I got my camera power supply, so now I can do this without running out of batteries :)

PowerSag2

TL;DW: PowerSag2 is my improved circuit-starve plugin, now with inverse effect!

PowerSag2.zip(347k)

This is PowerSag (my circuit-power-supply-starve plugin), but the internals are coded differently for more efficiency on modern CPUs, it gets twice as much maximum effect range (which will help if you’re using it at high sample rates) and it now has an inverse/wet control. That means that you can hear what’s being taken AWAY (which is typically a grungey, gatey effect) and fade into that if it helps you get more meat into some of your sounds.

Expect more innovations like this as I revisit compressy-type effects: it’s a heck of a good feature to add to any dynamics processor. I can’t do ’em all at once (and I’m a bit tapped out keeping up with everything including the Evergreens podcast for patrons) but it’ll keep me busy :)

I’m still here working full-time because of Patreon, otherwise I would have had to stop. Thank you, everyone who’s kicked in to support Airwindows… and everyone who simply gets the word out… and everyone who’s really struggling and can’t afford tools or plugins and who has let ME help YOU. Because that’s really important to me, otherwise I would’ve gone to work at a bank or something :D

Gringer

TL;DW: Gringer is a full-wave rectifier plugin, like a Green Ringer guitar effect.

Gringer.zip(360k)

Here’s another no-controls wonder… that ‘models’ an actual obscure guitar effect that also has no controls! And it makes horrible unmusical noises, just like the original obscure effect makes horrible unmusical noises! Whee!

Seriously, though, here’s Gringer. It’s like an emulation of the old Dan Armstrong Green Ringer, kinda. No attempt was made to exactly circuit model anything, but it does the full-wave rectification thing that characterizes this effect, you can bypass it by bypassing the plugin, and it’s got a couple of biquad bandpasses (with VERY wide bandwidth) to mimic having analog circuitry and DC-blocking capacitors on input and output.

Stick it on your guitar solo and see what you get. Please don’t stick it on your mastering console. No good will come of that.

Before I remind people of my Patreon (oops too late) I will remind folks that, though Gringer is pretty useless most of the time, I’ve just released PocketVerbs which was so good people had little to say about it and just began using it in a reverby frenzy. If you missed that, check it out. Oh, and one more thing… I’ve been trying to debug a problem a user’s been having with Monitoring, and I think I’ve got it plus I added one final extra feature… VoiceTrick. Now, if you go to the end of Monitoring, you get the signal turned to mono and then played through the speakers with the phase of one speaker flipped. That way, you can sing into a vocal mic in front of your monitor speakers without using headphones. Be sure and position the mic very exactly between the speakers for the best cancellation! It just seemed to belong in Monitoring. Have fun :)

PocketVerbs

TL;DW: PocketVerbs is my popular old special effects reverbs plugin!

PocketVerbs.zip(716k)

And there was much rejoicing. (yaaaaaay!)

Seriously, though, there kind of is. This plugin is a bit of a big deal. It’s been hotly anticipated, and is one of the last two ‘old stock’ plugins (at least, out of my main list) to be brought up to date and ported to VST/Windows/Linux. The other one is Cabs, and I think Cabs isn’t really very good. I’ll put it out anyhow, but I’ve dragged my feet because it’s a pain to work on and it’s not great at ‘being a speaker cab plugin’, not truly special just weird.

But this is PocketVerbs, and PocketVerbs IS special. It’s a precursor to what I’m doing with MV, what I’ll do more of in the future… but the reason I dragged my feet on this one is, it’s cumbersome. There’s more code in it than the size of some novels, and I had to port that! It’s not even brilliant code… but it had to be done just as it was, to maintain the tone qualities PocketVerbs has. It’s huge because it has multiple reverbs to switch between, and the way I implemented that was not easy on me. I’ve honored that in the current version.

You get chambers, rooms, springs. You get a PaulStretch type effect. You get Zarathustra, which is like that but dark and distant and vast. You get a strange gating effect not present in any other plugin, just as it was: this lets you completely and totally reinvent drum sounds even on a stereo mix. It’s a dual-mono design so you get stereo localization out of the space-ified, gated, reinvented drum sounds. Or, you can try whatever other crazy tricks tickle your fancy.

It’s PocketVerbs. It’s here, it’s free, it’s yours. Go bonkers… and have fun. We will both be prayin’ there aren’t bugs as the thing is just about unmaintainable, but it’s working as expected for me. (Catalina MacOS users will of course have to trick or defeat Gatekeeper to use this as Gatekeeper is incompatible with backwards compatability for my plugins, some VST hosts don’t play nicely with the text labels for type of reverb: I’ll try and talk you through any troubles the computer industry inflicts upon you, I’m pretty good with that)

Patreon is how I’m able to scale up and do cooler things with Airwindows. It (as in, you folks, through Patreon) let me get Chord Organ modules for my synth and now I’ll be releasing a new firmware for that (DIYable!) module, hopefully the first of many neat things like that. If you’d buy this plugin for $50, feel free to add that to whatever you’re giving me yearly (it’ll be like the cost of a really good coffee per month) provided that you can afford it, because I don’t want to take your money if you need it more than me. ‘K? That’s important. I think you can see that I’m doing OK now apart from sometimes stressing out too much or working too hard: if I get more money I’ll only do things like buy instruments and sample them and give you the samples.

Stranger things have happened.

Enjoy PocketVerbs :)

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If you’re pledging the equivalent of three or more plugins per year, I’ll happily link you on the sidebar, including a link to your music or project! Message me to ask.